Annie Ovenden was privately educated at The Royal Wanstead School and from there, in 1961 went on to study at High Wycombe School of Art, gaining NDD in book illustration and graphic design in 1965. She worked as a graphic designer and painter in London for several years before moving to Cornwall in 1973.
In 1975 Sir Peter Blake asked her to join a group of seven like minded artists, the group was subsequently called The Brotherhood of Ruralists. The Brotherhood’s first public showing as a unified entity took place at the Royal Academy in 1976 followed by the Bath Festival in 1977. From these showings until 2007 the Ruralists maintained a vigorous exhibition program. In 1981 a major exhibition of work by the Ruralists - presented, not so much as a retrospective, but more as a report on work-in-progress - was organised by The Arnolfini, Bristol and The Camden Arts Centre, London. Funded by The Arts Council of Great Britain, the exhibition included visits to Birmingham City Museum & The Third Eye, Glasgow. The Ruralists final show together was at Horsham Museum in 2007. In 2008, a major touring exhibition was organised by Southampton University on the English Pastoral Tradition subtitled From Samuel Palmer to the Ruralists.
(WWW.ruralists.com) is the The Brotherhood of Ruralists Information Website which is intended to provide free information for collectors, researchers, commercial organisations and the general public about the work, lives and activities of the group of artists known as The Brotherhood of Ruralists).
Annie Ovenden taught Painting and Drawing for seventeen years for North Cornwall’s Adult Education Service. She has had many solo exhibitions and is an Honorary member of the South West Academy of Fine and Applied Arts. She has designed theatre sets and props and for four years worked with London’s Hampstead Garden Opera on sets for The Magic Flute, Hansel and Gretel, La Traviata and Martha.
Despite Channel 4's repeated showings of a film about her Village Portrait Project she is probably best known for her tree studies and paintings depicting the landscape of Cornwall where she lives. Her work is in many private collections worldwide and appears in various publications.