founded in 1927 
 
 
 
 
 
 
 
 
 
 
A Father's Love 
30.5 x 25.5cm. Price:£79 (Framed) £57 (Mounted) Purchase reference: Wright-1 
Turnstones 
71 x 30.5cm. Price:£160 (Framed) £120 (Mounted) Purchase reference: Wright-2 
A Perfect Day In The Woods 
30.5 x 40.5cm. Price: £79 9Framed) £57 (Mounted) Purchase reference: Wright-3 
Chatting In The Woods 
30.5 x 25.5cm. Price: £69 (Framed) £45 (Mounted) Purchase reference: Wright-4 
It Is Not Yet Time To Get Up 
25.5 x 25.5cm. Price: £65 (Framed) Purchase reference: Wright-5 
 
Sometimes I Quite Enjoy A Windy Day 
33 x 43cm. Price: £85 (Framed) £62 (Mounted) Purchase reference: Wright-6 
Tame Shag On Bamaluz Rocks 
46 x 56cm. Price:£160 (Framed) £120 (Mounted) Purchase reference: Wright-7 
Drifting Dandelion Clocks 
30.5 cm x 30.5cm. Price: £75(Framed) £50 (Mounted) Purchase reference: Wright-8 
In A Nutshell I Love You 
33 x 33cm. Price: £80 (Framed) £59 (Mounted) Purchase reference:Wright-9 
Casting His Net 
30.5 x 40.5cm. Price £79 (Framed) £57 (Mounted) Purchase reference: Wright-10 
Michelle Wright 
I have lived in St Ives for thirty years and it is this town, which is a constant source of inspiration to me. The beautiful fish, the seagulls and the people. I walk around the harbour or sit on a wall watching, listening and being amused by some of the goings on. 
Although I draw and paint I get the most satisfaction out of printmaking as it combines art with craft. There is something very exciting about working on a plate, putting it through a press then peeling back the paper to see what has been produced. 
I was born in England of an English mother and a French father. I have lived and been educated in both countries, finishing at the Wimbledon School of Art. I started my career of as a theatrical costumier and designer working in Edinburgh and at the National Theatre, London. Then I fell in love with St Ives, which meant that I had to find a new vocation combining the things I enjoy which are drawing and constructing. 
The solution — Printmaking ! 
 
COLLAGRAPHS 
These days I work almost exclusively on collagraphs despite enjoying other forms of printmaking such as etching and monoprinting. 
My collagraph plates are made from dense card. I usually draw out on the plate with an etching tool and cut into the board with a scalpel and create textures with both implements. I apply several layers of varnish and resist mediums to introduce tones. 
The collagraph plate is inked up as an intaglio print with the ink in the recessions or as a relief print, and then put through an etching press on damp paper. 
 
 
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