founded in 1927 
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Amour Armour 
1m x 1m 
Mixed media on canvas 
£900 
Barbara Streisand Says.... 
80 x 80cm 
Mixed media on canvas 
£700 
Disobedient Servantl 
30 x 30cm 
Mixed media on canvas 
£250 
Elephant 
40 x 40cm 
Mixed media on canvas 
£300 
Falling Down 
60 x 60cm 
Mixed media on canvas 
£500 
Hear Your Voice 
50 x 50cm 
Mixed media on canvas 
£400 
Lost In Life 
1m x 1m 
Mixed media on canvas 
£900  
Prone To Exaggeration 
40 x 40cm 
Mixed media on canvas 
£300 
Somewhere Else 
30 x 30cm 
Mixed media on canvas 
£250 
Timeline 
80 x 80 Mixed media on canvas 
£700 
 
If you would like to purchase work by Marie Keeling or for more information Click Here> 
Marie Keeling 
Marie Keeling 
inspiration: 
My stimulus usually comes from industrial, mechanical and architectural sources. 
I love the sculptural shapes of machinery, engines, boilers, etc, from the well maintained & 
polished to the rusty, crumbling & corroded. In early 2011 I started to introduce a figure 
into some of my works, the human element in the industrial process. I then went on to do a 
series of large male figures. My more recent works include a series of red, black & gold 
abstract paintings and the red flower paintings. 
Early influence: 
Just a few of the many people & movements that had an effect on my development: 
Picasso, Leger, Tapies, Paolozzi, Frank Lloyd Wright, Renzo Piano. Cubism, Pop Art, 
Bauhaus, De Stijl, Abstract Expressionism. 
Medium: 
Painting, usually on canvas with mixed media & multi-layering for textural relief, then oil in 
the later stages. In 2009/2010 I was taught the art of collagraph printing, this has become 
another passion & means of expression for me. 
The subject: 
Although there were no intentional hidden messages in my work, I now realize that my 
subconscious has been playing a large part in what I produce. I find I am learning a lot 
about myself from my own analysis of the issue of my paintings. 
I have many sources of inspiration but the end result is a painting which should be seen as 
an object in its own right, a new article. 
I want the observer to be curious, but to form their own interpretation of what they see. 
When I look at a work of art that I like, I do not want an explanation. I like pictures that I do 
not understand. 
 
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